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MAHARAJA KRISHNAKUMARSINHJI CHAPERONAGE
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paper no; 4
INDIAN WRITING IN ENGLISH
TOPIC; RAJA RAO’S
CONTRIBUTION OF INDIAN RENAISSANCE
Raja Rao's is first
novel Kanthapura 1938 , is the story of
a village in south India his name is kanthapura .
·
Introduction
Raja Rao's was born in 8 November 1908 he was died 8 July
2006 was an Indian writer of English language novels and short stories and his
work he is child of the Gandhi an age reveals in his work his sensitive
awareness and he force let easy by the Gandhi
an revolution as also of studying pull of past traditional. deeply rooted by Hinduism.
his work like The Serpent and the Rope 1960 and A semi- autobiographical novel
recollect a search for spiritual truth in Europe and India ,then established
him as one of the finest Indian prose stylists and won him the " Sahitya Academy Award" in 1964.
· Other Work:
(1) Alter no , ' Quest for Guru,
(2) Tradition , Cast and raja rao
(3) Swain, " The theme of Marriage
And many other very popular work of
his .in novel base of raja rao portrait
the action of one of his novel stays for field and far away in work France and
English his heart is effective with strong invisible string of his traditional
Hindu culture.
As connect the
action of the story it has a physical as well as a psychological side. the
physical action has superficial global sweep .in Raja Rao's in novel like The serpent
and rope, considered his master piece is a philosophy's some what express what young intellectual Brahman and his wife
seeking spiritual truth in India , France , and England it play on it plays on
the dialogue between orient and Occidental .
His other novel
are the and his other work like the cat and Shakespeare : mystic the clerk in the rationing office Goninan
Nair is a " rishi" . Dr. Ayyappa paniker in his insight analysis of
novel remarks : " The cat and Shakespeare may be thought of as an
Upanishadic fable intended to reveal - not just to narrate or even to dramatic
- Raja Rao's speculation and beliefs concerning some of the absolute of
philosophy, namely , reality, conscienceless
and happiness , to mean three of them .
Sri. P.Krishna Menon know n to
his disciples as atmananda , which are in their turn ultimately from the vedas
, Upanishads, and Gita. Seeped in the spiritual awareness acquired from the
guru's and strengthened by years of shadhana , Raja Rao assimilate this into
his writing thus transcending the limits of fiction . in serpunt and the rope ,
reader shares part of the experience because the novel operates at the
narrative leval as well as novel assume the role of a cultural and spiritual
medium in the hands of Raja Rao's .he reminds us constantly there is only one
story to tell and no words are sufficient purpose to convey the immense sity of
the truth beyond .as a writer he is a painful conscious of the limitations of
the world and the literary medium he has choose . every novel written by raja
rao in view of the light struggle with the
medium .
In kanthapura he chose the
oralnarrative patterns , the serpent and rope in full of musing and discussion
that it lose the structural fiction. The
cat and Shakespeare breaks all rules and puzzles the reader as to genre which
in belongs .
Raja Rao's his words about
protagonist of the cat and Shakespeare
capable to the author and his work how does a being behave after he has
been revealed the of impersonal principal of truth? He was logical, illogical ,
his action is impersonal but full of love which is not dramatic but simple he
also one who sees many mining in one act
1.
logicality
2. Confirm
3. Conditions
So there are
three level in logical it means life - sequences and reality .
Raja Rao's fictional principal can be views
as a bold , cultural and spiritual statement made through a medium that was
considered western , breaking down all accept conversation and reaffinment and
unique identity of Indian culture and philosophy that can survive any threat of
globalization.
Raja rao' s first novel of kanthapura in south
Indian village their place near born of novelists Mysore state and a novelist
short story writers he too is a child of the Gandhi an age and reveals in his
work his sensitive awareness of forces let loose by the Gandhi an age and
revolution as also of the thwarting or steadying pull of past traditional .
" History , colony, Nation, and
Nationalism : Revisiting Raja Rao and his Kanthapura ". First of all in imagination national identity
it means India nationalism is concerns because India national congress under
the Stewardship of Gandhi emerged as a truth , national, congress , panindean
body , contact, in its fold all the cross- section of the society that were
present time contradict an entry in to the conversion politics.
The Indian national congress had forgotten to
large relatively large consider something extent and his deep sence of
indianness apposite site the vast stretch of the land, unifying and preparing
the people the people hold as true the place to the next from regional to
national in their approach and attitude.This resulted in the gradual beginning
coming forth of national imagination and India n English performance on the one
hand the task of erasing the minor attached to a system of identity and on the other also stress over
the important of a pan- Indian identity. Gandhi form the action of identity because he stand for a pan-indian
the symbol of identity when it come nationalism therefore none other than a
personality like Gandhi takes up this task of combining in to a single unit non
violence heritage commenting upon the necessity of make such a pan- Indian
identity , as a languages , English in India gain with effort the first goal of
erasing the internal difference which attached region identity within India .
Ø An Indian English literature can a
best capture the political face of Gandhi western realistic mode of biography
sketch Gandhi occupies the mass consciousness of India .The meaning of India
Raja Rao's in an ambiguous manner defines India and Indian identity. Hismkanthapura
is best cited to illustrate this purpose.the novel records the Gandhian impact
on a typical Indian village through an informal but very intimate narration of
an elderly widow , acchakka. Gandhi is again portrayed here as Rama, Krishna,
and Shiva whose birth divine significant . as the novel says , once valmiki,
the great sage and the writer of Ramayana, in the novel .inkanthapura , religion
characteristic part ofculture has been used for a secular and political purpose
such as reached independent. Here religion has got a very significant role.
Raja Rao's particular person place the India reliance traditional of harikatha
to growth the not always of nation and also to well together this always a
religion propose the magnitude something in a particular direction .
Ø In events the novel makes use of two kinds of specific purpose :
(1) one hand specific purpose in
religion traditional of the country , such as Harikatha , to more advanced
stages present issues such as swaraj and nation on the other hand . it also
suitable the history such as Indian national movement and bring it to the fold
of the religion traditional of India . jayaramachar' s harikatha on the birth
of Gandhi mahatma is a Privileged of
such double suitable of the novelist.
The
novel has a suspense pattern to the treatment of castes and community ofkanthapura
, a remote villages representative of any
other village in south Indian in the beginning of the novel stratified
and basic of caste , creed, and religion there is a brahmin street , pariah,
quarter, weavers colony , potter's communnity etc . as the village gains movement in dynamics of
struggle for independent under the stewardship of the struggle for liberty
under the stewardship of moorthy , these at one disappear , at least
politically .
Ø Women, Dalit and freedom Struggle? A study of Raja Rao's kanthapura :
The dawn of the twentieth century has witnessed a lot of changes in every
aspect of day to day lives of women. These changes began then the first
analysis point of literature writer created women character traditional
complete behave in certain way with a view to find out how women are oppressed
by men and how British rule helps women and dalit to get freedom from old age
conversation. Whole novel of kanthapura in impact on the Gandhian teaching on
non- violence disagree against British.
In whole story main perspective of small
village in South India how oppression another sence of spirit and another
imagination there are three types of sence of spirit deeply firmly surrounding
Mass in text: (1) The sence of spirit of India by British .
(2) The
sence of spirit lower cast by the upper caste
(3) The
sence of spirit of women by men.
The questions that come to our mind
is that the British rule in India was a formal approval the true nature
something ? From the point of view of the dalit the lower cast and from the point
of view of women . both are marginal literature by the mainstream .and raja
Rao's operate from Gandhian point of in the history of the world ' harijan'
means children's of God. It refer to unteachable and name of touchable Hindus.
Ø Blend of myth and Reality : A study of Raja Rao's kanthapura Kanthapura a regional novel plenty
of a sthala- Purana and a microcosm of India . it is Indian its theme , myths,
images, narration and style . whole store of Kanthapura is a impact of a Gandhi
on the religion the theme of the ganghi is anvisibable and our villaged but the
style of narration make the book more a Gandhi purana than a pice of fiction
ghandhi is the invisible god , moorthy is the visible avatar .
the character sharply divide in
to two camps the rule on the one hand and the satyagrahis on the other. Ther
are –various other division too.
Ø Class srructure
1. Untouchability
2. Structure of the village
3. Superstition among people
4. Exploitation due to class
5. Caste and creed
6. Class discrimination
7. Society and discrimination
All thing happen in the raja rao’s
kanthapura we see early in the renaissance movement in the work of the raja
rao’s work of the kanthapura poitrait ther is a easy task of the raja rao the
diversity in religion , cast , creed, etc of the nation in the order to bring
together those diverse.
Ø Conclusion
Raja Rao’s twentieth century india. It
is the story of the how gandhian struggle for independence from the city new
idea this edition includes extensive not and Indian myth, religion, social,
customs, and the independent movement.
Ø Reference
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